BEST PICTURE |
"No Country for Old Men" (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production Scott Rudin, Ethan Coen and Joel Coen, Producers |  |
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DIRECTOR |
Ethan Coen & Joel Coen - "No Country For Old Men" |  |
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PERFORMANCE BY AN ACTOR IN A LEADING ROLE |
Daniel Day-Lewis in "There Will Be Blood" (Paramount Vantage and Miramax) |  |
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PERFORMANCE BY AN ACTRESS IN A LEADING ROLE |
Marion Cotillard in "La Vie en Rose" (Picturehouse) |  |
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ORIGINAL SCREENPLAY |
Diablo Cody - "Juno" |  |
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ADAPTED SCREENPLAY |
Ethan & Joel Coen - "No Country for Old Men" |  |
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PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE |
Tilda Swinton in "Michael Clayton" (Warner Bros.) |  |
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PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE |
Javier Bardem in "No Country for Old Men" (Miramax and Paramount Vantage) |  |
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COSTUME DESIGN |
"Elizabeth: The Golden Age" (Universal) Alexandra Byrne |  |
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ANIMATED FEATURE |
"Ratatouille" - (Pixar; Walt Disney Studios Motion Pictures Distribution) Brad Bird |  |
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MAKEUP |
"La Vie en Rose" (Picturehouse) Didier Lavergne and Jan Archibald |  |
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VISUAL EFFECTS |
"The Golden Compass" (New Line in association with Ingenious Film Partners) Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood |  |
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ART DIRECTION |
"Sweeney Todd The Demon Barber of Fleet Street" (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo |  |
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LIVE-ACTION SHORT FILM |
"Le Mozart des Pickpockets (The Mozart of Pickpockets)" (Premium Films) A Karé Production; Philippe Pollet-Villard |  |
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ANIMATED SHORT FILM |
"Peter & the Wolf" (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production |  |
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SOUND EDITING |
"The Bourne Ultimatum" (Universal) Karen Baker Landers and Per Hallberg |  |
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SOUND MIXING |
"The Bourne Ultimatum" (Universal) Scott Millan, David Parker and Kirk Francis |  |
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FILM EDITING |
"The Bourne Ultimatum" (Universal) Christopher Rouse |  |
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FOREIGN LANGUAGE FILM |
"The Counterfeiters" - Austria |  |
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ORIGINAL SONG |
"Falling Slowly" from "Once" (Fox Searchlight) Music and Lyric by Glen Hansard and Marketa Irglova |  |
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CINEMATOGRAPHY |
"There Will Be Blood" (Paramount Vantage and Miramax) Robert Elswit |  |
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ORIGINAL SCORE |
"Atonement" (Focus Features) Dario Marianelli |  |
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DOCUMENTARY SHORT |
"Freeheld" A Lieutenant Films Production; Cynthia Wade and Vanessa Roth |  |
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DOCUMENTARY FEATURE |
"Taxi to the Dark Side" (THINKFilm) An X-Ray Production; Alex Gibney and Eva Orner |  |
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